Dried Flowers and Plants
frequently asked questions

Everlastings - What are they? - Plants that have a beautiful hereafter!

"Everlastings" are flowers and other plant material that can be preserved in some manner without loosing their beauty. Indeed, the preserving process reveals hidden aspects of the plants that make them more interesting and adds to their beauty. Leaves may cup. Grasses and stems may twist. Hidden color may surface. Everlastings delight the eye and give years of service long after they are done with life.

Many "true" everlastings have a dry, stiff, papery feel while yet very much alive and growing. Others are preserved by one method or another to make them last.

The easiest method of preservation is to just let them dry on the plant, but most are usually hung in a very warm, dark, dry place. Today's special techniques of preserving flowers and foliage include freeze drying, using silica gel, and preserving with glycerin. Silica gel is like fine sand. Some flowers dry well immersed in it and come out dried but looking almost fresh. Glycerin is mixed with water in a container in which the plant stems are placed. The plants suck up this mix and become darker and permanently pliable.

Many kinds of plant material, not just flowers, can be used as everlastings. Lots of foliage and seed pods will last and last if correctly harvested and treated. Some vines and berries can be used too, with the artist often placing a drop of hot glue at the base of each individual berry. Autumn leaves can be just as beautiful as roses if tastefully arranged.

An arrangement made from everlastings will be beautiful for a long time. Sometimes years and years. The time it lasts depends on the type of plant material used, how it's treated and conditioned during construction, and most importantly where it's hung.

What makes my wreaths & swags different from the rest besides the price?

One Woman Operation
I grow much of my material myself, cutting and preserving it in a number of ways. Sometimes I can let it dry while on the plant. But most are cut, then hung in my specially modified attic to air dry there. Some are silica dried and a few others are glycerin preserved. I also press one or two for special effects. Then, once dried, the material is stored carefully so it will not crush under its own weight or be mashed together in clumps or boxes. There is quite a science to all of this which accounts for all my books, I suppose, but still I learn through my own experimentation and from trial and error.

No Mass Production Work
I used to think a day would come when I would have it all down pat, but I know better now. Learning it never quits. And so my art will never quit changing.That's one reason my arrangements are all different. But the other is me. I don't like repetition. Don't get me wrong. I can do a matched set. I just can't do mass production, like the ones you buy from catalogs or department stores. I understand their problem. They have to turn out high volume, and so turn to the unskilled, giving a formula of instructions and hoping for the best. But I just won't do slap-dash, fast, blobby, polka-dotted, arrangements over and over again. I can't. I think it would somehow kill me.

Workmanship

When I actually construct, my first job is to make sure the arrangement gets to you undamaged. The base is prepared and then a box is made to protect the arrangement. This alone can take an hour or even longer. Then careful attention must be paid to the mechanics of the arrangement and the different plant requirements. You can't just do anything you want with any plant if you want the piece to last. Each piece of plant material is individually placed according to its requirements and to maximize it's artistic effect. Many times berries and seed pods have to be individually glued. I treat all my material to resist fading and wilting. I build the arrangement to hold its shape over time. Gravity has to be considered. Sometimes sagging branches can be attractive, but if not meant to sag, they just look droopy and ratty. Then finally comes the hard part: photographing it -- so you can tell how pretty it really is. Two dimensional photos can never fully represent three dimensional beauty. So if you like it on the screen, you're going to really love it in your home.

Placing & Caring for everlastings

Words of Advice on Hanging Your Arrangement
1 . Spacing: Give the arrangement a margin of wall or door space that compliments it. Too little crowds it, and too much puts it adrift in a great gulf. Both detract from its appeal. For a large wall, either use a large arrangement, or break the space up with other decor to get a more appropriate display area. For advice on wreath size for doors click on the following link: http://www.everlastinglifedecor.com/advice4.htm.

2. Traffic: Hang your arrangement where there is clearance. Doors are fine, just as long as shoulders aren't brushing the arrangement on each pass. Don't forget that these arrangements look really great in empty wall spaces (click here: http://www.everlastinglifedecor.com/advice.htm).

3. Lighting: For maximum longevity, try to avoid direct sunlight. Even though my material is treated to resist fading, direct sun will lighten anything.Some people like the effect in everlastings. Over months the colors will not only fade but some will change in hue. If you want to avoid that, hang your piece in indirect light or artificial light. Color lasts longest there. For a really special effect, purchase a small spotlight that can be aimed at the arrangement and draw attention to it.

If for any reason you are not satisfied, with a dried flower arrangement from Everlasting Life Decor, simply return it for a full refund or replacement. I want you to be satisfied you have the finest of handmade dried flower wreaths and swags.